CV

Education

2004

Fine Arts/Sculpture Diploma, Art School Berlin-Weissensee

2000

Architecture Diploma, Technical University of Berlin

1997

Fellow at the Preservation site of the Acropolis Monuments Athens
Residencies

2008

Artist in Residence, maison flottante, centre national de l’estampe et de l’art imprimé (cneai), Paris

2004

Artist in Residence, Lion Arts Center, Adelaide

2003

DAAD Arts Fellow, New York

1998

DAAD study residency, Athens
Selected Solo Exhibitions

2016

"Exposition littéraire autour de Mallarmé," Kunstverein (Milano), Milan

2015

"Greatest Hits," Printed Matter, Inc., New York (cat.)
"The Complete Films," OEI colour project, Stockholm

2014

"Sonnet(s) & Other Sonnet(s)," OEI colour project, Stockholm & X Marks the Bökship, London

2008

"Quinze," Espace Surplus, Berlin (cat.)

2007

"distorted rectangle (‘waving‘)," Revolver, Archiv für aktuelle Kunst, Frankfurt with a satellite in Kunstverein Frankfurt

2005

"The lost empire and the empire to be lost," 5uper.net, Museumsquartier, Vienna

2003

"48 Hours Vs Hell No I Won’t Go," basement #18, Pratt Institute, Brooklyn
Selected Group Exhibitions

2017

"Conceptual Poetics Day," Haus der Kulturen der Welt, Berlin
"art. poetry. space," Ursula Blickle Stiftung, Kraichtal
"Selección Natural – This is the Cover of the Book," 019 — Museum Of Moving Practice, Ghent
"The Rise of Bio-Society," Riddoch Art Gallery, Mount Gambier, South Australia
"Off the Shelve: Modern & Contemporary Artists´Books," Baltimore Musum of Art, Baltimore, Maryland

2016

"les Editions (Un)Limited Store," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Xerox," Societe, Brussels
"Ed Ruscha Books & Co," Gagosian, Los Angeles (cat.)
"Reading Mashines," Kunsthal, Aarhus
"*Helter Skelter Vol.III," Kulturpalast Wedding International, Berlin
"Conceptual Poetics Day," Akademie der Künste, Berlin
"COMING OF AGE," Torpedo, Oslo
"Der Schatten des Körpers des Kutschers / The Shadow of the Body of the Coachman," KUNSTSAELE, Berlin

2015

"Proyecto para un texto / Project for a Text," Cosmopoética, Cordoba (cat.)
"Gomringer+," Kunstverein Bielefeld, Bielefeld (cat.)
"Re: follow-ed (after hokusai)," Cabinet du livre d’artiste, Université Rennes (cat.)
"Conceptual Poetics Day," Akademie der Künste, Berlin
"OLD NEWS (again)," centre national de l’estampe et de l’art imprimé (cneai), Paris
"This is the cover of the book," Arts Libris, Barcelona (cat.)
"BOOKS & CO," Gagosian, Paris (cat.)
"Ed Ruscha (and tributes)," Choisi, Lugano

2014

"Hausbesetzung," Nassauischer Kunstverein, Wiesbaden
"The Liberated Page," Le Commun, Geneva
"Postscript," Michigan State University, Eli and Edythe Broad Art Museum, East Lansing, Michigan (cat.)
"Conceptual Poetics Day," Literaturwerkstatt, Berlin
"Original Pirate Material," Literaturwerkstatt, Berlin
"Artist’s book rules /// libri a regola d’artista," Palazzo Collicola Arti Visive, Spoleto
"Pastiche, parody and piracy," The Cob Gallery, London
"A morte do autor," Universidade Federal de Minas Gerais, Belo Horizonte
"Remake, le livre et la céramique en question," Musée de Mariemont, Morlanwelz
"Bibliologie," FRAC Haute-Normandie, Sotteville-lès-Rouen

2013

"Conceptual Poetics Day," abc art berlin contemporary, Berlin
"Esthétique du livre d’artiste: Collections et inventaires," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Postscript," Power Plant, Toronto (cat.)
"Un phénomène de Bibliothèque," Un phénomène de Bibliothèque, Paris
"LIMITED, MULTIPLE, UNIQUE," The Book Club of California, San Francisco (cat.)
"The Feverish Library (continued)," Capitain Petzel, Berlin
"BOOKS & CO," Gagosian, Paris (cat.)

2012

"Postscript," Museum of Contemporary Art, Denver (cat.)
"Splendid Isolation," Johan Deumens Gallery, Amsterdam
"Gazette Show," Mzin, Leipzig
"July, August, September 2012. Juillet, Août, Septembre 2012. Juli, August, September 2012," Berlin, Amsterdam, New York, London, Ciudad Juarez, El Paso, Charlotte et al. (cat.)
"HELP/LESS," Printed Matter, Inc., New York
"Appropriation," essays and observations, Berlin
"BLANK BOOK MAKERS / Salon du Livre," Fondation Kugler, Geneva (cat.)
"Recent Acquisitions," Athenaeum, La Jolla, California
"January 5–31, 2012," Milchhofpavillon, Berlin (cat.)
"LIMITED, MULTIPLE, UNIQUE," Minnesota Center for Book Arts, Minneapolis, Minnesota & Museum of Printing History, Houston, Texas & Lafayette College, Easton, Pennsylvania

2011

"LIMITED, MULTIPLE, UNIQUE," Center for Book Arts, New York & Savannah College of Arts and Design, Atlanta (cat.)
"Vis à Vis," Rossi Contemporary Gallery, Brussels
"Convergence: Literary Art Exhibitions," Golden Thread Gallery, Belfast
"follow-ed (after hokusai)," Winchester Gallery (University of Southampton), Southampton & Gallery P74, Ljubljana & Arnolfini, Bristol (cat.)
"print cloud," Tryk Tryk Tryk, Copenhagen
"la photocopie," Cabinet du livre d’artiste, Université Rennes

2010

"Crosswords," Galerie Analix Forever, Geneva
"SeaFair 2010 – The Apparatus of Life and Death," Museum of Contemporary Art, Skopje (cat.)
"The Perverse Library," Laurence Sterne Museum, York
"Cabinet of Miracles," Zone D/Zoumboulakis Gallery, Athens (cat.)
"Ear to the Page," Center for Book Arts, New York (cat.)
"Non-Cochlear Sound," Diapason Gallery, New York
"Publication as Practice #10: Appropriation,," X Marks the Bökship, London
"Newpaper Research and Reading Room," Milchhofpavillon, Berlin
"The Page," Kimmerich, New York
"FAX," Torrance Art Museum, California, Para/Site Art Space, Hong Kong & Burnaby Art Gallery, Burnaby, Canada & Museo Carrillo Gil, Mexico City (cat.)

2009

"Un coup de dés: poème, image of sculpture," Stichting Perdu, Amsterdam
"El Ahijado," Alterna y Corriente, Mexico City
"Learn to Read Art: A History of Printed Matter," Badischer Kunstverein, Karlsruhe & MOMA PS1, New York
"FAX," Drawing Center, New York & Contemporary Museum, Baltimore, Maryland (cat.)
"Architectures of Survival," Outpost for Contemporary Art, Los Angeles & Komplot, Brussels

2008

"AFTER," galerie de multiples, Paris
"Beyond Kiosk," Cabinet des estampes, Geneva & Kunstbibliothek, Berlin (cat.)
"... America, ... America ...?," espai zero1, Olot (cat.)
"Old News 4," Museo Carrillo Gil, Mexico City & Midway Contemporary Art, Minneapolis, Minnesota (cat.)
"Freunde und Bekannte," Apartment Stefan Schuster & Sparwasser-HQ, Berlin

2007

"Crosswords," Galerie Analix Forever, Geneva
"Intercity Berlin Praha," Galerie Manes, Prague (cat.)
"See You in 2047," Public Space, Muenster
"Dictionary of War," Sophiensaele, Berlin (cat.)
"Artists’ Books: Transgression/Excess," Space Other, Boston & Bibliothekswohnung, Berlin

2006

"30 Years: Printed Matter, Editions 1976–2006," Printed Matter, Inc., New York
"OUVERTURE," Revolver, Frankfurt
"Alrededor de todos juntos, una entre tantas," ProjecteSD, Barcelona

2005

"Suppe, Schnittchen, Sekt," Revolver, Frankfurt
"un promesse de malheur," Galleria de Arte Mexicano, Mexico City
"Kiosk (XII–XIII) – Modes of Multiplication," Witte de With, Rotterdam & ICA, London
"Image Acts," Office Ops, New York

2004

"Art of the Biotech Era," Experimental Art Foundation, Adelaide (cat.)
"Späte Freuden der Disziplin," Ritterhof, Berlin
"Coded Cultures," Freiraum, Museumsquartier, Vienna
"Sculpture Grande 04," Wenceslas Square, Prague (cat.)

2003

"i like america and america likes itself," Broadway / Times Square, New York
"mehr licht!," Daad Arts Fellows at Goethe-Institute / InterNationes, New York
"schwarzwald united," Steuben Gallery, Brooklyn

2002

"SeaFair 2002 – Cultural Transformation, Consciousness and New Technologies," Museum of Contemporary Art, Skopje
"the term pratt artist is part of the problem," Steuben Gallery, Brooklyn
"Natürlich kann geschossen werden," Postfuhramt, Berlin
Book Fair Participations with Solo Booth

2017

"MISS READ: The Berlin Art Book Festival," Haus der Kulturen der Welt, Berlin
"Poetry Market," Akademie der Künste, Berlin
"Arts Libris," Arts Santa Monica, Barcelona
"it´s a book," HGB, Leipzig

2016

"MISS READ: The Berlin Art Book Fair," Akademie der Künste, Berlin (cat.)
"#Riafeniz," Künstlerhaus / Halle für Kunst & Medien, Graz
"it´s a book," HGB, Leipzig

2015

"FOOKBAIR," Städelschule, Frankfurt
"New York Art Book Fair," MOMA PS1, New York (cat.)
"MISS READ: The Berlin Art Book Fair," Akademie der Künste, Berlin (cat.)

2014

"New York Art Book Fair," MOMA PS1, New York (cat.)
"THREE LETTER WORDS," Rochelle School, London
"Vancouver Art/Book Fair," Project Space, Vancouver

2013

"Salon Light Night," Gymnase des Pyrénées, Paris
"Miss Read," abc art berlin contemporary, Berlin (cat.)
"Independent Publishers and Zine Fair Vienna," Kunsthalle, Berlin
"Artists Prints," Komplot, Brussels
"Publish and Be Damned," ICA, London
"LA Art Book Fair," MOCA, Los Angeles (cat.)

2012

"MISS READ," abc art berlin contemporary, Berlin (cat.)
"Vancouver Art/Book Fair," Project Space, Vancouver
"New York Art Book Fair," MOMA PS1, New York (cat.)
"Salon Light," Palais de Tokyo, Paris (cat.)
"Salon du Livre," Fondation Kugler, Geneva

2011

"New York Art Book Fair," MOMA PS1, New York (cat.)
"MISS READ," KW Institute of Contemporary Art, Berlin (cat.)
"The Book Affair," Metricubi, Venezia
"Art + Text," Overgaden, Copenhagen

2010

"New York Art Book Fair," MOMA PS1, New York (cat.)
"MISS READ," KW Institute of Contemporary Art, Berlin (cat.)

2009

"MISS READ," KW Institute of Contemporary Art, Berlin (cat.)
"New York Art Book Fair," MOMA PS1, New York (cat.)
"Publish and Be Damned 09," Oxford House, London

2008

"Salon Light," Point Ephémère, Paris
"New York Art Book Fair/FRIENDLY FIRE," Phillips de Pury, New York (cat.)
"One night stand/Berlin Biennial," KW Institute of Contemporary Art, Berlin
"Publish and Be Damned 08," Rochelle School, London (cat.)

2007

"Salon light," centre national de l’estampe et de l’art imprimé (cneai), Paris
"New York Art Book Fair/FRIENDLY FIRE," Dia Art Foundation, New York
"Publish and Be Damned 07," Rochelle School, London
Curated

2017

"MISS READ: The Berlin Art Book Festival," Haus der Kulturen der Welt, Berlin

2016

"Conceptual Poetics Day," Akademie der Künste, Berlin
"MISS READ: The Berlin Art Book Fair," Akademie der Künste, Berlin (cat.) *with Yaiza Camps, Moritz Grünke and Akademie der Künste, Berlin

2015

"MISS READ: The Berlin Art Book Fair," Akademie der Künste, Berlin (cat.) *with Yaiza Camps, Moritz Grünke, Kristen Mueller and Akademie der Künste, Berlin
"Conceptual Poetics Day," Akademie der Künste, Berlin
"Re: follow-ed (after hokusai)," Cabinet du livre d’artiste, Université Rennes (cat.) *with Tom Sowden

2014

"Conceptual Poetics Day," Literaturwerkstatt, Berlin

2013

"MISS READ: The Berlin Art Book Fair," abc art berlin contemporary, Berlin (cat.) *with argobooks and KW Institute of Contemporary Art, Berlin
"Conceptual Poetics Day," abc art berlin contemporary, Berlin

2012

"MISS READ," abc art berlin contemporary, Berlin (cat.) *with argobooks and KW Institute of Contemporary Art, Berlin
"January 5–31, 2012," catalogue exhibition

2011

"MISS READ," KW Institute of Contemporary Art, Berlin (cat.) *with argobooks and KW Institute of Contemporary Art, Berlin
"Babypause," Milchhofpavillon, Berlin
"follow-ed (after hokusai)," Winchester Gallery (University of Southampton), Southampton & Gallery P74, Ljubljana & Arnolfini, Bristol (cat.) *with Tom Sowden

2010

"MISS READ," KW Institute of Contemporary Art, Berlin (cat.) *with argobooks and KW Institute of Contemporary Art, Berlin
"Newpaper Research and Reading Room," Milchhofpavillon, Berlin *with Eleanor Brown

2009

"MISS READ," KW Institute of Contemporary Art, Berlin (cat.) *with argobooks and KW Institute of Contemporary Art, Berlin

2002

"Natürlich kann geschossen werden," Postfuhramt, Berlin *with Marcus Wittmers
Collections
Ampersand Foundation, Johannesburg
Archive Artist Publications Hubert Kretschmer, Munich
Athenaeum, La Jolla, California
Celine Duva, Houlgate
centre national de l’estampe et de l’art imprimé (cneai), Paris
Centre Pompidou, Paris
Deutsche Nationalbibliothek, Leipzig / Frankfurt am Main
Emily Carr Institute, Vancouver
Eric Doeringer, Brooklyn
Escolas de Belas Artes, Minas Gerais, Belo Horizonte
FRAC Haute-Normandie, Sotteville-lès-Rouen
FRAC Provence-Alpes-Côte d’Azur, Marseille
Getty Research Institute, Los Angeles
Guggenheim Foundation, New York
Indiana University, Bloomington
Jacob Fabricius, Copenhagen
John M. Flaxman Library, School of the Art Institute of Chicago (SAIC), Boston
John Stezaker, London
Jon Hendricks, New York
MoMA Museum of Modern Art, New York
Musée de l’Elysée, Lausanne
Musées de la Ville de Genève (BAA), Geneva
National Gallery of Canada, Ottawa
New York Public Library, New York
Princeton University Library, Princeton
Research Centre for Artists’ Publications, Weserburg Bremen
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami
Sammlung Paul Heimbach, Cologne
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Berlin
Staatliches Museum, Schwerin
Städelschule, Frankfurt
Stanford University Libraries, California
Tate Gallery Library and Archive, London
The National Art Library, Victoria & Albert Museum, London
Thomas J. Watson Library, The Metropolitan Museum of Art, New York
University of Colorado, Boulder
Interviews
"Standardized interview with 18 publishers," Journal Salon Light 9 (2013), 2–10.
"MEDIA HABITS: Michalis Pichler," in The Last Express (New York: The New Museum, 2010), 8.
"작업 중인 드로잉과 볼 필요는 없지만 종이 위의 비 주얼한 것들 / Working Drawings and Other Visible Things on Paper not Necessarily Meant to be Viewed," GRAPHIC 10 (2009), 46-49.
"Kunst ist für mich Forschung," Kölner Stadt-Anzeiger, February 2–3, 2002.
Pichler, Michalis and Monk, Jonathan, "Fotoserie als eine Art Selbstportrait: „Und die Kinder spielen dann mit“," Berlin: taz (2016), 43, online at http://www.taz.de/!5367772/.
Documentary / Film Features
Iglhaut + von Grothe, Buchkunst. Ein Besuch bei Michalis Pichler, commissioned by Deutsches Buch- und Schriftmuseum der Deutschen Nationalbibliothek DNB (2014), online at http://artistbooks.de/blog/michalis-pichler-ueber-kuenstlerbuecher/.
Cramer, Florian, bookworks (2013), online at https://vimeo.com/78509276.
Publications by Michalis Pichler
Dichiarazioni sull’ Appropriazione / Statements on Appropriation (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
Une Seconde d'Éternité (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
ed., BOOKS AND IDEAS AFTER SETH SIEGELAUB (New York: The Center for Book Arts, Berlin: Sternberg Press, 2016).
A TWO THREE FOUR FIVE (Berlin: Quick Magazine, 2015).
The Ego and Its Own, English Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Brooklyn: Ugly Duckling Presse, 2015).
De enige en zijn eigendom, Dutch Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Ghent: MER. Paper Kunsthalle, 2015).
Den ende och hans egendom, Swedish Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Stockholm: OEI Editör, 2015).
FLORIBUNDAROSEN (Leipzig: Lubok Verlag, 2014).
1111 RISOGRAPHED SONNETS, STAPLED, NUMBERED AND SOLD IN CHUNKS OF 11 (Paris: ed. Christophe Daviet-Thery, 2013).
Boys! Männer! (Leipzig: Lubok Verlag, 2013).
Brotfehler (Berlin: self-published, 2013).
ed., July, August, September 2012 (Berlin: ”greatest hits”, 2012).
ed., January 5–31, 2012 (Berlin: ”greatest hits”, 2012).
Statements on Appropriation / Statements zur Appropriation (Paris: La Bibliothèque Fantastique , 2011).
Sentences on Conceptual XXX (Paris: La Bibliothèque Fantastique , 2011).
SOME MORE SONNET(S) (Berlin: ”greatest hits”, 2011).
SIX HANDS AND A CHEESE SANDWICH (Berlin: ”greatest hits”, Ljubljana: Zavod P.A.R.A.S.I.T.E., 2011).
Monsanto Company Earnings Call Transcript (Berlin: ”greatest hits”, Skopje: Museum of Contemporary Art, 2010).
The Ego and Its Own, Chinese Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, New York: Forever & Today, Inc., 2010).
TWENTYSIX GASOLINE STATIONS (Berlin: ”greatest hits”, New York: Printed Matter, Inc., 2009).
TWENTYSIX GASOLINE STATIONS, Photography (Berlin: self-published, 2009).
Der Einzige und sein Eigentum / The Ego and Its Own (Berlin: ”greatest hits”, 2009).
hearts (Frankfurt: Revolver, Contemporary Art Publishing, Athens: Agra Publishing, 2008).
Un coup de dés jamais n‘abolira le hasard (SCULPTURE) (Berlin: ”greatest hits”, 2008).
Red, White & Blue Box (New York: self-published, 2008).
ed., Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed (Chatou: CNEAI Centre National de l’Estampe et de l’Art Imprimé, Berlin: ”greatest hits”, 2008).
SOME FALLEN UMBRELLAS AND SOMETHING ELSE, Newspaper (Marseille: UL(S), 2008).
I am looking for a gallerist – But, my god, the heart is missing (Berlin: self-published , 2007).
les dés sont pipés (Ackermann), Newspaper (Berlin: self-published , 2007).
les dés sont pipés (embedded journalism), Newspaper (New York: self-published , 2007).
pichler pichler (the beginning of the system of lies), Newspaper (Berlin: self-published, 2007).
SECHSUNDZWANZIG AUTOBAHN FLAGGEN (Frankfurt: Revolver, Contemporary Art Publishing, 2006).
stars & stripes / new york garbage flag profile (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
“WAR“diary, Newspaper (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
New York Times Flag Profile, Newspaper (New York: self-published, 2003).
Contributions to Publications
"Illustrationer af Skuespilsamfundet," in Debord, Guy, Skuespilsamfundet (Aarhus: Antipyrin, 2015).
"Statements zur Appropriation," in Urheberrecht, Copyright, Künstler , ed. Cornelia Ortlieb and Alexander Roesler (Frankfurt: Neue Rundschau / Fischer Verlag, 2015), 150-152.
"SEVEN ADVERTISED SONNETS," The Blue Notebook (2015); CRUX DESPERATIONIS 7 (2015); OEI Magazine (2014); Metropolis M (2013).
"Printed Matter And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As ‘After Ruscha aka: One Hundred Views Of One Hundred Views Of Mount Fuji, If Someone Says So,’," in Reprint. Appropriation (&) Literature, ed. Annette Gilbert (Wiesbaden: luxbooks, 2014), 533–539.
"Sentences on Conceptual Reading," CRUX DESPERATIONIS 5 (2014), n.p.
"all the words," CRUX DESPERATIONIS (2013), n.p.
"Déclarations sur l'appropriation / Statements on Appropriation / Statements zur Appropriation," Marges: Remake, Reprise, Répétition 17 (2013), 129–151. PDF
"Untitled (Cowboy)," Car Park Magazine (2013), back cover and inside back cover.
"SOME TRIPLE BOOKS AND LEATHERJACKETS," in Slide Shows, ed. Charlotte Cheetham (Vancouver: Fillip’s Print Centre, 2012).
"Obviously, a drawing of a person is not a real person, but a drawing of a word is a real word," CRUX DESPERATIONIS (2012), n.p.
"Statements zur Appropriation," , ed. Annette Gilbert (Bielefeld: transcript, 2012), 27–30.
"DIAL NOW IF IN VERSE," CRUX DESPERATIONIS 2 (2012), n.p.
"Untitled (Cowboy)” and “Untitled (Elgin Marbles)," Car Park Magazine 3 (2011), back cover, inside back cover and 61–72.
"Appropriation," in Print Matters, ed. Linda Newington et al. (London: University of Southhampton and Tate Library, 2011), 43–47.
"This is a portrait of Brad Downey if I say so / This is a portrait of Brad Downey if you say so," in The Vanity Project (Paris: Onestar Press, 2011).
"Hentai," in Kawabe, Misaki, Nostalgic Hentai (Berlin: Revolver Publishing, 2010).
"Statements on Appropriation / Statements zur Appropriation," Betonblumen (2010), 13–15.
"REAL OPPORTUNITIES," in Miss Read, booklet (Berlin: KW Institute for Contemporary Art, 2010), poster and cover.
"Statements on Appropriation / Statements zur Appropriation," Fillip 11 (2010), 44–47.
"FAXED SONNET" and "SOME MORE SONNET(S), FAXED," in FAX, ed. Joao Ribas (New York: The Drawing Center and Independent Curators International, 2009), 122, 123–125.
"TWENTYSIX STATIONS," in Miss Read (Berlin: KW Institute for Contemporary Art, 2009), poster.
"Pfau liebt Zapfsäule," "Frosch im Salat – Frau in Panik" and "Bissiger Pitbull-Besitzer" (from the series Das private und öffentliche Leben der Tiere), basso magazine 6 (2008), 22, 40, 50.
"Untitled (Poem)," "The New York Times flag profile (index)," "NEW YORK POST flag profile (index)" and "Village Voice flag profile (index)," The Newpaper 2 (2008), cover, inside cover, 10–13.
"The girls of page 3 and 4” and “Dead Man Walking," The Newpaper 1 (2007), 3–4, 29–32.
"Untitled (Animals)," Old News 4 (2007), 15–18.
"TOP GUN," basso magazine 5 (2007), centerfold.
"April 14 2003 (3:03am), basement #18, Pratt Institute, Brooklyn," in Weinberger, Eliot, ΤΟ ΤΙ ΑΚΟΥΣΑ ΓΙΑ ΤΟ ΙΡΑΚ (What I heard about Irak) (Athens: Agra Publishing, 2006), cover.
Monograph
Thirteen Years: The materialization of ideas from 2002 to 2015, ed. Annette Gilbert and Clemens Krümmel (New York: Printed Matter, Inc., Leipzig: Spector Books, 2015).
- "The Signature of the Author," Annette Gilbert
- "This Is the Reconnaissance. Ideology and duplication in the work of Michalis Pichler," Stefan Ripplinger
- "All The News That’s Fit to Print," Eleanor Vonne Brown
- "SCULPTURE LECTURE Reading Un coup de dés," Magnus Wieland
- "After Michalis Pichler after Edward Ruscha after Hokusai," Jean-Claude Moineau
- "Media Metamorphoses," Tobias Amslinger
- "How Beggarly Little is Left Us," Craig Dworkin
- "The Universal Library of Appropriation," Patrick Greaney
- "Representation of Prestige or Gallery of Cardboard Characters," Matthias Bleyl
- "The Past is Never Dead. It’s Not Even Past," Ariane Müller
- "PICTURE-PERFECT APPROPRIATIONS," Mark Gisbourne
- "Nono Yeahyeah," Michalis Pichler in conversation with John Stezaker
- "Statements on Appropiation," Michalis Pichler
- "Sentences on Conceptual Reading," Michalis Pichler
- "The Work of Art in the Age of Digital Reproduction," Michalis Pichler
- Name Index
Group Catalogues / Anthologies
Reprint. Appropriation (&) Literature, ed. Annette Gilbert (Wiesbaden: luxbooks, 2014), 373–376, 426–429, 517–519, 533–539.
ed., Books and Ideas after Seth Siegelaub (New York: The Center for Book Arts, 2014).
Various Small Books: Referencing Various Small Books by Ed Ruscha, ed. Jeff Brouws, Wendy Burton and Hermann Zschiegner (Cambridge, Mass.: MIT Press, 2013), 122–123, 188–189.
The Dark Would. Language Art Anthology, ed. Philip Davenport (Manchester: Apple Pie Editions, 2013).
Blank Book Makers, ed. Izet Sheshivari (Geneva: Boabooks, 2012), 128–131.
MULTIPLE, LIMITED, UNIQUE: Selections from the permanent Collection of the Center for Book Arts, ed. Alexander Campos (New York: The Center for Book Arts, 2011), 103.
Print Matters, ed. Linda Newington et al. (Winchester: University of Southampton, London: Tate Library, 2011), 36–41, 43–47.
The Piracy Collection (London: Central Saint Martins School of Art and Design, AND ­Publishing, 2011), entries 6, 32, 40, 46, 95.
Miss Read, booklet (Berlin: KW Institute for Contemporary Art, 2011), n.p.
Ear to the Page, ed. Alan Licht and James Hoff (New York: The Center for Book Arts, 2010).
Cabinet of Miracles, ed. Polyna Kosmadaki and Christopher Marinos (Athens: Zone D, 2010), 114–115.
Miss Read, booklet (Berlin: KW Institute for Contemporary Art, 2010), 27.
FAX, ed. Joao Ribas (New York: The Drawing Center and Independent Curators International, 2009), 122–125.
Miss Read, booklet (Berlin: KW Institute for Contemporary Art, 2009), 15.
ESPACE SURPLUS, ed. Bettina Springer (Berlin: Espace Surplus, 2009), 30–31.
Publish and Be Damned (London: Four Corner Books, 2008).
I like America, Does America Like Me?, ed. Zurisaday Viera Muñoz and Pere Cañada Vila (Olot: espai zero, 2008), 67–76.
Art in the Biotech Era, ed. Melentie Pandilovski (Adelaide: Experimental Art Foundation, 2008), 52–58, 173, 216–217.
Selected Essays, Articles and Reviews
Amslinger, Tobias, "Nur Ich und nichts als Ich," Wespennest, Zeitschrift für brauchbare Texte und Bilder 161 (2011), 104.
Biondo, Mendes, "L’EGO E SÉ STESSO – UN RAFFINATO DIALOGO TRA PICHLER E STIRNER," (2016), online at https://ramingoblog.com/2016/04/13/lego-e-se-stesso-un-raffinato-dialogo-tra-pichler-e-stirner/.
Boglione, Riccardo, "Riscrivendo l’illeggibile: quarto cancellature del Coup de Dés," (Genova: Ocra Press, 2011), 29-32.
Breternitz, Juliane, "Der ewige Kreislauf," in It’s a Kind of Magic! Mystifizierung und Demystifizierung im Kontext der Künstlerpublikationen seit 1960, ed. Anne Thurmann-Jajes (Bremen: Studienzentrum für Künstlerpublikationen, 2010), 30–35.
Bronson, AA, "Nine Books I Like," The Journal – Contemporary Culture 28 (2010), 176–179.
Cate-Gumpert, Sam, "The Anxiety of Influence," mono.blog by mono.kultur magazine, December 28, 2009, online at http://mono-blog.com/2009/12/the-anxiety-of-influence/.
Dejaco, Victoria, "Stéphane Mallarmés Raumkonzept in zeitgenössischen Positionen," (Diploma Thesis, Universität Wien, 2011).
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