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(c) Karl Holmqvist, Miss Read, 2017

MISS READ 2017
The Berlin Art Book Festival
July 14–16, 2017 

Conceptual Poetics Day : July 15, 1–7pm 

Haus der Kulturen der Welt (HKW) 
John-Foster-Dulles-Allee 10 
10557 Berlin
Germany

Friday, July 14, 5–9pm with events by Arch+ and e-Flux and opening party 
Saturday, July 15, 12–7pm
Sunday, July 16, 12–7pm

ASP 3, ICA Institute of Contemporary Art, London, July 8 2017

ASP3 - The Third 
ICA Institute of Contemporary Art
The Mall, London, SW1 5AH
8 July 2017
11:00am-7:00pm

 

ASP3 - Expanded Programme 

Following on from ASP2 - The Sequel, the time has come for ASP3 - The Third. ASP (Artist Self Publishers’ Fair) will host 70+ UK and international independent artist self-publishers for a one-day fair.  As with past fairs, it will feature artist self-publishers only and will continue to avoid the restrictions and market dominance of much of contemporary arts culture. 

Lyrikmarkt 2017, Akademie der Künste

Poetry Market
@ Poesiefestival 
Akademie der Künste
June 24, 2017, 3-8pm

Exhibitors Poetry Market 2017

art. poetry. space, Ursula Blickle Stiftung, June 16 - 25, 2017

art.poetry.space

Saturday June 17 – Sunday June 25, 2017
2pm-6pm

Opening Friday, June 16, 2017, 7pm

Ursula Blickle Lab @ Ursula Blickle Stiftung
Mühlweg 18
76703 Kraichtal-Unteröwisheim
Phone (08) 87 23 9566

 

Participating artists: Lydia Daher, Cornelia Fränz, Steffi Jüngling, Michalis Pichler, Lukas Schneeweiss and students of Hochschule für Gestaltung Karlsruhe

Selección Natural – This is the Cover of the Book

May 18 - June 22, 2017

019 Museum of Moving Practice
DOK-NOORD 5L
9000 GENT
BELGIUM
 

 

Arts Libris

Arts Libris
Independent Publishing Fair
Arts Santa Monica, La Rambla, 08002 Barcelona
April 21-23, 2017
12 AM – 9 PM
 

Exhibitors ArtsLibris Barcelona 2017

untitled (meat), Michalis Pichler, 2005

Saturday April 8 – Sunday May 7, 2017

Riddoch Art Gallery at the Main Corner
1 Bay Road,  Mount Gambier
South Australia
Phone (08) 87 23 9566

 

Participating artists: Trish Adams, Guy Ben-Ary & Boryana Rossa, Gary Cass, Andre Brodyk, Critical Art Ensemble, Eduardo Kac, Svenja Kratz, Rafael Lozano-Hemmer, Michalis Pichler, Helen Pynor, Niki Sperou, Paul Thomas

Curator: Melentie Pandilovski

IT’S A BOOK, IT’S A CHANCE, IT’S A ROOM BUILT TO SHARE

Independent Publishing Fair
Leipzig, March 25th, 2017
Hochschule für Grafik und Buchkunst ,Academy of Fine Arts Leipzig
Wächterstr. 11;04107 Leipzig, Germany

12 AM – 9 PM
Admission is free.

»It’s a Book« is an independent publishing fair taking place on 19th of March 2016. The fair will be hosted at the Academy of Fine Arts, Leipzig, simultaneously taking place with the official Leipzig Book Fair held at the Leipzig Messe.

Joan Miró and Paul Éluard. À Toute Épreuve. 1958

March 12 - June 25, 2017

The Baltimore Museum of Art (BMA)
10 Art Museum Drive 
Baltimore, MD 21218-3898
Telephone: (443) 573-1700 

Carl Andre 

Pierre Bonnard 

Alexander Calder 

Francesco Clemente 

Jim Dine 

Raoul Dufy 

Michael Goldberg 

Grace Hartigan 

David Hockney 

Iliazd 

Robert Indiana 

Ricky Jay 

Jasper Johns 

Wassily Kandinsky 

Ellsworth Kelly 

Barbara Kruger 

Fernand Léger 

Alfred Leslie 

El Lissitzky 

Richard Long 

Stéphane Mallarmé

Gordon Matta-Clark 

Joan Miró 

Joan Mitchell 

Barry Moser 

Sir William Nicholson 

Pablo Picasso 

Michalis Pichler 

R.H. Quaytman 

Larry Rivers 

Henri Rivière 

Dieter Roth 

Susan Rothenberg 

Ed Ruscha 

Kurt Schwitters 

Kiki Smith 

Michael Snow 

Nicolas de Staël 

Walasse Ting 

Henri de Toulouse-Lautrec 

Günther Uecker 

Not Vital

Michalis Pichler, Un Coup de Dés jamais n’abolira le Hasard. MUSIQUE, 2009

Michalis Pichler
Exposition littéraire autour de Mallarmé
Kunstverein Milano
Il Lazzaretto, via Lazzaretto 15, Milan, Italy
15 December 2016 ­­– 28 January 2017
Opening 14 December 2016, 7pm

Une Seconde d’Eternité, Michalis Pichler, 2010

DICHIARAZIONI SULL'APPROPRIAZIONE

Michalis Pichler, transl. Mariella Guzzoni

Dicembre 2016

 

 

  1. Se un libro parafrasa un predecessore storico o contemporaneo specifico nel titolo, nello stile e/o contenuto, questa tecnica è ciò che chiamerei un “greatest hit”.

  2. Forse credere che un’appropriazione sia sempre una decisione strategica consapevole presa da un autore è ingenuo quanto credere in un autore “originale” in primo luogo. 


Claude Closky, (U)L.S #4. Repartir à zéro, 12 pp., 2009

"les Editions (Un)Limited Store"
FRAC Provence- Alpes -Côte d'Azur
25.11.2016 - 12.2.2017


documentation céline duval, (U)L.S #0., LES TROPHÉES, 2008

Michalis Pichler, (U)L.S #1. SOME FALLEN UMBRELLAS AND SOMETHING ELSE, 2008

Peter Downsbrough, (U)L.S #3. ECART, 2008

Nathalie Amaé (ed.), (U)L.S #4. Artistbook International, 2009

Claude Closky, (U)L.S #4. Repartir à zéro, 12 pp., 2009

Pierre-Olivier Arnaud, (U)L.S #5. Dégradés, 12 pp., 2009