news
Curated by John Stezaker and Matthew Higgs
May 20 through July 16, 2010
Opening Reception Wednesday, May 19, from 6 to 8 pm
Tom Burr, Anne Collier, Shannon Ebner, Daniel Gustav Cramer & Haris Epaminonda, Wade Guyton, Richard Hawkins, Matthew Higgs, Judy Linn, Sara MacKillop, Michalis Pichler, Nick Relph, Tim Rollins & K.O.S., Paul Sietsema, Frances Stark, Dirk Stewen, John Stezaker, Rirkrit Tiravanija
PUBLICATION AS PRACTICE A short course on concepts of artists’ publications Wednesday 9th June 2010, 7pm – 8.30pm # 10: APPROPRIATION with guest speaker Michalis Pichler It appears to me, that the signature of the author, be it an artist, cineast or poet, seems to be the beginning of the system of lies, that all poets, all artists try to establish, to defend themselves, I do not know exactly against what. M.B. Related material Theory & Practice: Statements on Appropriation Practice & Theory (‘high’ culture): Der Einzige und sein Eigentum Practice (‘low’ culture): street reading
Talk starts 7.10pm
Fee £2.50 per talk, pay on the night
Der Einzige und sein Eigentum
Michalis Pichler, 2009
appropriation/ new vision of the manifest of individual anarchism as published 1844 by Max Stirner under the very same title (The Ego and Its Own). The chapter titles and headers have been maintained, while the main text has been edited down to include first-person-signifiers only, and a lot of white floating around it. layout, typeset and dimensions follow the German version, which has been in print almost unchanged for the last 37 years by Reclam Universal-Bibliothek.
“The Page” May 20 through July 16, 2010 Opening Reception Wednesday, May 19, from 6 to 8 pm Tom Burr, Anne Collier, Shannon Ebner, Daniel Gustav Cramer & Haris Epaminonda, Wade Guyton, Richard Hawkins, Matthew Higgs, Judy Linn, Sara MacKillop, Michalis Pichler, Nick Relph, Tim Rollins & K.O.S., Paul Sietsema, Frances Stark, Dirk Stewen, John Stezaker, Rirkrit Tiravanija “The use of the page in artists‘s books or for projects within the context of art magazines, for example, is an established genre. However, it is only rarely in this history that these uses of the page have become reflections on the nature of the book, the page or the manuscript itself, or on the particularity of a subjective encounter with this familiar –doubled - space.
Curated by John Stezaker and Matthew Higgs
Fillip is a publication of art, culture and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.
Featuring: Lawrence Rinder, Haris Epaminonda & Jacob Fabricius, Arni Haraldsson, Keith Bormuth, Alex Kitnick, Jamie Hilder, David Berridge, Michalis Pichler, Milena Tomic, Renato Rodrigues da Silva, Gabrielle Moser, Antonia Hirsch, Aaron Peck, Kim Dhillon, Kate Armstrong, Liz Park.
On Friday October 2nd 2009 at 2pm Un Coup de Dés Jamais N'Abolira Le Hasard (Sculpture) will be launched at PS1 in the context of the New York Art Book Fair with music.
The music is created by playing the book on an automatic piano.
New York Art Book Fair
Fillip #11 out now Fillip #11 features Statements on Appropriation (first printed version). "Michalis Pichler's Statements on Appropriation, published in English and German, is both a study in artistic appropriation and an art work in text form. " - Jeff Khonsary, Publisher & Kristina Lee Podesva, Editor
The "same" station photographed all over different locations in Brandenburg, Thuringen, Sachsen-Anhalt and Mecklenburg-Vorpommern.
"The eccentric stations were the first ones I threw out" is written on a photographed piece of paper, at the end of the book.
Ed Ruscha had published a book under the same title and outer appearance in 1963.
The book comes with translucent wrappers.
36 pages, 18 x 14 cm, 2009
Printed Matter, Inc., New York, ISBN 978-0-89439-044-4
and "greatest hits" Berlin, ISBN 978-3-86874-004-2
Met: Fernande de Korte, Anna Hakkens, Michalis Pichler, Petrus Hoosemans, Ernst van den Hemel (moderator)
(text: Marije Koens)
In een eeuw tijd is Un coup de dés jamais n'abolira le hasard mínstens drie keer verschenen. Echter wel in verschillende vormen en bij andere kunstenaars. Als eerst werd het in 1914 in dichtvorm gepubliceerd (met de ondertitel poéme) naar de uitgebreide aantekeningen en instructies van de destijds reeds overleden Stéphane Mallarmé.
Eröffnung
DO 26.11.2009
18–21.00
UHR
BQ
Büro BQ, Rosa-Luxemburg-Straße 26, 10178 Berlin
Tel. +49-30-23457316, Fax +49-30-23457325
info
bqberlin.de, www.bqberlin.de
Di–Fr 11–18 Uhr
Abbildung links: Buecher von Stéphane Mallarmé, Marcel Broodthaers, Michael Maranda, Cerith Wyn Evans, Michalis Pichler