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Beaulieu, Dworkin, Goldsm, Long, Maranda, Morris, Pichler, Place, Popper, Warhol


Was Jorge Luis Borges 1939 in "Pierre Menard, Autor des Quijote" noch imaginierte, ist inzwischen aus der Literatur nicht mehr wegzudenken: Seit den 1950er Jahren, insbesondere in den letzten Jahren, entstehen zunehmend Bücher, für die keine neuen, eigenen Texte mehr produziert werden. Statt dessen werden bereits existierende Texte und gar ganze Bücher re-ediert, das heißt: wiederaufgelegt, aktualisiert, kopiert, neu geordnet, zensiert etc. Im Fall der Appropriation literarischer Werke, der im Workshop besondere Beachtung geschenkt werden soll, werden mit Vorliebe kanonische Texte appropriiert, etwa von Flaubert, Hemingway, Joyce, Mallarmé, Milton, Poe, Puschkin, Shakespeare.

Im Gegensatz zur appropriation art in den 1980er Jahren und zu jüngsten literarischen Plagiatsskandalen hat dies bisher jedoch weder zu stürmischen Erregungen im Kunst- und Literaturbetrieb noch zu einer tiefer gehenden Beachtung in der Wissenschaft geführt. Der Workshop soll das Phänomen erfassen und einen ersten Überblick über seine Bandbreite in historischer, systematischer und komparatistischer Sicht geben.

Mit einer musikalischen Lesung von Michalis Pichler & Rembetiko Kompania Berlin und Beiträgen u.a. von Anne Mœglin-Delcroix (Paris), Michael Glasmeier (Bremen), Stefan Römer (Berlin).

鈴木芳一(Suzuki, Yoshikazu), 銀座八丁(Ginza Haccho), Tokyo 1954

 

Live Art/Dance

Thu 24 Mar, 6.30pm

£7.00/£5.50 Concs

 

speakers:

Rod Dickinson, a visual artist who uses detailed research into moments of the past and present that represent various mechanisms of social control. Rod will draw on his experience to discuss strategies and methods of re-enactment.

The Performance Re-enactment Society who will present a slide show of their work in progress narrative for Salad Dressing, the cover of Crackers.


PRINT CLOUD

March 26, 2011
Fernisering / Opening 18.00-21.00

Tryk Tryk Tryk is an immersive space for conceptual projects, art, activism, workshops, graphic experiments, and more. It combines a shop selling original printed matter from around the world and locally roasted coffee with a print workshop and a schedule of exhibitions.

SIX HANDS AND A CHEESE SANDWICH


Ruscha der Fischotter aka: Printed Matter And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As After Ruscha aka: One Hundred Views Of One Hundred Views Of Mount Fuji, If Someone Says So aka: SIX HANDS AND A CHEESE SANDWICH is a book about books, a catalogue and an art/bookwork in its own right.

SOME LOS ANGELES APARTMENTS, REAL ESTATE OPPORTUNITIES

 follow-ed (after hokusai) is an exhibition curated by Michalis Pichler and Tom Sowden, featuring conceptual artworks, which for the most part use photography, the book form, and are somewhat ruschaish.

click here to see installation views

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By now the appropriation and paraphrasing of Ed Ruscha constitutes a genre of its own.

monotone public print

 

with: Dianne Arndt, Eugènia Balcells, Jean-François Bergez, Bureau d’investigation photographique, Mel Bochner, Stanley Brouwn, Ian Burn, John Byrum, Philippe, Clerc, Roy Colmer, A constructed world, Continuous Project, Andrew Dadson, Eric Doeringer, Patrick Dubrac, FF FW, Judith Fleishman, Michael Gibbs, Sharon, Gilbert, Marie-Ange Guilleminot, Yoko Gunji, Thomas Hirschhorn, Janet Janet, Ben Kinmont, Sean Landers, David Lasnier, Lefevre Jean Claude, Sol Lewitt, Sara Mackillop, Stéphane Magnin, Ross Martin, Jonathan Monk, Antoine Moreau, Jean-Luc Moulène, Patrick Mullins, Louise Odes Neaderland, Richard Olson, Blaise Parmentier, Michalis Pichler, David Renault, Jean-François Robic, Barbara Rosenthal, Dieter Roth, Temporary Services, Mathieu Tremblin, Ben Vautier, Larry Walczak, Eric Watier.

Custom having once given the name of " the ancients " to our pre-Christian ancestors, we will not throw it up against them that, in comparison with us experienced people, they ought properly to be called children, but will rather continue to honor them as our good old fathers.

M.S.

Un Coup De Dés Jamais N'Abolira Le Hazard (Sculpture), 2008

programme vernissage / opening    17/12/2010 de 15h à 22h
ouverture 18-19/12/2010
Forum -1 de 11h à 20h

projections
installations
performances

Centre Pompidou, Paris

see SOME MORE SONNET(S), first presented FAXED at Drawing Center, NY

 

New York Art book Fair floorplan, room N203: table 20

Printed Matter presents the fifth annual NY Art Book Fair, November 5–7 at MoMA PS1, Long Island City, Queens. Free and open to the public, the Fair hosts over 250 international presses, booksellers, antiquarian dealers, artists and publishers from twentyfour countries, offering the best in contemporary art book publishing.