Contributions
Pichler Michalis Politics of Art Book Fairs / Miss Read (20 Hypotheses) Stockholm: OEI Magazine 2024
Pichler Michalis Politics of Art Book Fairs / Miss Read (20 Hypotheses) Stockholm: OEI Magazine 2024
Michalis Pichler ed. Jonas (J) Magnusson and Cecilia Grönberg
OEI #104-105 ORGANISERING!?,
Stockholm: OEI Magazine, 2024
OEI #104-105 ORGANISERING!?,
Stockholm: OEI Magazine, 2024
ed. Magnusson Jonas (J) , ed. Grönberg Cecilia
OEI #104-105 ORGANISERING!?
Stockholm: OEI Magazine, 2024
Stockholm: OEI Magazine, 2024
Pichler Michalis Bibliophagia Chicago: Other Forms 2021
Pichler Michalis Bibliophagia Chicago: Other Forms 2021

Pichler Michalis Untitled Berlin: backbonebooks 2021
Pichler Michalis Untitled Berlin: backbonebooks 2021

Pichler Michalis PAGE PIECES, ablata at alba Chicago: Other Forms 2021
Pichler Michalis PAGE PIECES, ablata at alba Chicago: Other Forms 2021
Michalis Pichler ed. Jack Henrie Fisher
Counter-Signals #4, Identity Is the Crisis
Chicago: Other Forms, 2021
Counter-Signals #4, Identity Is the Crisis
Chicago: Other Forms, 2021

Pichler Michalis The Work of Art in the Age of Digital Reproducibility #Twitter Version - Das Kunstwerk im Zeitalter seiner digitalen Reproduzierbarkeit #TwitterVersion Montevideo: CRUX DESPERATIONIS 2021
Pichler Michalis The Work of Art in the Age of Digital Reproducibility #Twitter Version - Das Kunstwerk im Zeitalter seiner digitalen Reproduzierbarkeit #TwitterVersion Montevideo: CRUX DESPERATIONIS 2021
Michalis Pichler ed. Riccardo Boglione
Pichler Michalis The Work of Art in the Age of Digital Reproducibility #Twitter Version - Das Kunstwerk im Zeitalter seiner digitalen Reproduzierbarkeit #TwitterVersion Montevideo: CRUX DESPERATIONIS 2021,
Montevideo: CRUX DESPERATIONIS, 2021
Pichler Michalis The Work of Art in the Age of Digital Reproducibility #Twitter Version - Das Kunstwerk im Zeitalter seiner digitalen Reproduzierbarkeit #TwitterVersion Montevideo: CRUX DESPERATIONIS 2021,
Montevideo: CRUX DESPERATIONIS, 2021
"The Work of Art in the Age of Digital Reproducibility #Twitter Version - Das Kunstwerk im Zeitalter seiner digitalen Reproduzierbarkeit #TwitterVersion", contribution by Michalis Pichler in

Pichler Michalis pichler (pichler), series of guest-signed prints (here: Wolfgang Beltracchi) 2021
Pichler Michalis pichler (pichler), series of guest-signed prints (here: Wolfgang Beltracchi) 2021
"pichler (pichler), series of guest-signed prints (here: Wolfgang Beltracchi)", contribution by Michalis Pichler in
ABCOA
2021
2021
Pichler Michalis BOOK_BOOK_OBJECT_CAKE_E_BOOK_ETC Victoria, TX: American Book Review 2020
Pichler Michalis BOOK_BOOK_OBJECT_CAKE_E_BOOK_ETC Victoria, TX: American Book Review 2020
Michalis Pichler ed. Amaranth Borsuk
What is a Book?: 101 Responses,
Victoria, TX: American Book Review, 2020
What is a Book?: 101 Responses,
Victoria, TX: American Book Review, 2020

Pichler Michalis Migration #31 Montevideo: CRUX DESPERATIONIS 2018
Pichler Michalis Migration #31 Montevideo: CRUX DESPERATIONIS 2018
Michalis Pichler ed. Riccardo Boglione
Pichler Michalis Migration #31 Montevideo: CRUX DESPERATIONIS 2018,
Montevideo: CRUX DESPERATIONIS, 2018
Pichler Michalis Migration #31 Montevideo: CRUX DESPERATIONIS 2018,
Montevideo: CRUX DESPERATIONIS, 2018

Pichler Michalis (design) Berlin: Revolver Publishing 2018
Pichler Michalis (design) Berlin: Revolver Publishing 2018
Fukushima mon amour
Berlin: Revolver Publishing, 2018
Berlin: Revolver Publishing, 2018

Pichler Michalis PAGE PIECES Berlin: MISS READ 2018
Pichler Michalis PAGE PIECES Berlin: MISS READ 2018

Pichler Michalis SOBRE. Prácticas artísticas y políticas de la edición : Universidad de Granada 2017
Pichler Michalis SOBRE. Prácticas artísticas y políticas de la edición : Universidad de Granada 2017
Michalis Pichler
Art History and Karaoke: Six Hands and a Cheese Sandwich,
: Universidad de Granada, 2017
Art History and Karaoke: Six Hands and a Cheese Sandwich,
: Universidad de Granada, 2017
Art History and Karaoke: Six Hands and a Cheese Sandwich
: Universidad de Granada, 2017
: Universidad de Granada, 2017

Pichler Michalis Statements on Appropriation Berlin: Revolver Publishing 2016
Pichler Michalis Statements on Appropriation Berlin: Revolver Publishing 2016
Michalis Pichler ed. Thalmair Franz
LOREM IPSUM DOLOR SIT AMET
Berlin: Revolver Publishing, 2016
LOREM IPSUM DOLOR SIT AMET
Berlin: Revolver Publishing, 2016

Pichler Michalis Book Swapping & Seriosity Dummies from Fragments: Life and Opinions of a Real Existing Artist London: Sternberg Press Ltd 2016
Pichler Michalis Book Swapping & Seriosity Dummies from Fragments: Life and Opinions of a Real Existing Artist London: Sternberg Press Ltd 2016
Michalis Pichler ed. Annette Gilbert
Publishing as Artistic Practice
London: Sternberg Press Ltd, 2016
Publishing as Artistic Practice
London: Sternberg Press Ltd, 2016
"Book Swapping & Seriosity Dummies from Fragments: Life and Opinions of a Real Existing Artist", contribution by Michalis Pichler in
Pichler Michalis DECLARAÇÕES SOBRE APROPRIAÇÃO 2016
Pichler Michalis DECLARAÇÕES SOBRE APROPRIAÇÃO 2016
Pichler Michalis SEVEN ADVERTISED SONNETS Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M 2015
Pichler Michalis SEVEN ADVERTISED SONNETS Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M 2015
Michalis Pichler
Pichler Michalis SEVEN ADVERTISED SONNETS Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M 2015,
Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M, 2015
Pichler Michalis SEVEN ADVERTISED SONNETS Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M 2015,
Winchester: The Blue Notebook, Montevideo: CRUX DESPERATIONIS, Stockholm: OEI Magazine, Amsterdam: Metropolis M, 2015
Winchester: The Blue Notebook, , Montevideo: CRUX DESPERATIONIS, , Stockholm: OEI Magazine, , Amsterdam: Metropolis M, 2015

Pichler Michalis Sentences on Conceptual Reading Montevideo: CRUX DESPERATIONIS 2014
Pichler Michalis Sentences on Conceptual Reading Montevideo: CRUX DESPERATIONIS 2014
Michalis Pichler ed. Riccardo Boglione
Pichler Michalis Sentences on Conceptual Reading Montevideo: CRUX DESPERATIONIS 2014,
Montevideo: CRUX DESPERATIONIS, 2014
Pichler Michalis Sentences on Conceptual Reading Montevideo: CRUX DESPERATIONIS 2014,
Montevideo: CRUX DESPERATIONIS, 2014

Pichler Michalis all the words Montevideo: CRUX DESPERATIONIS 2013
Pichler Michalis all the words Montevideo: CRUX DESPERATIONIS 2013
Michalis Pichler ed. Riccardo Boglione
Pichler Michalis all the words Montevideo: CRUX DESPERATIONIS 2013,
Montevideo: CRUX DESPERATIONIS, 2013
Pichler Michalis all the words Montevideo: CRUX DESPERATIONIS 2013,
Montevideo: CRUX DESPERATIONIS, 2013
Déclarations sur l'appropriation / Statements on Appropriation / Statements zur Appropriation : Marges: Remake, Reprise, Répétition 2013
Déclarations sur l'appropriation / Statements on Appropriation / Statements zur Appropriation : Marges: Remake, Reprise, Répétition 2013
Déclarations sur l'appropriation / Statements on Appropriation / Statements zur Appropriation : Marges: Remake, Reprise, Répétition 2013,
: Marges: Remake, Reprise, Répétition, 2013
: Marges: Remake, Reprise, Répétition, 2013
"Déclarations sur l'appropriation / Statements on Appropriation / Statements zur Appropriation", contribution by Michalis Pichler in
: Marges: Remake, Reprise, Répétition, 2013
: Car Park Magazine, 2013
SOME TRIPLE BOOKS AND LEATHERJACKETS Vancouver: Fillip’s Print Centre 2012
SOME TRIPLE BOOKS AND LEATHERJACKETS Vancouver: Fillip’s Print Centre 2012

Obviously, a drawing of a person is not a real person, but a drawing of a word is a real word Montevideo: CRUX DESPERATIONIS 2012
Obviously, a drawing of a person is not a real person, but a drawing of a word is a real word Montevideo: CRUX DESPERATIONIS 2012
Obviously, a drawing of a person is not a real person, but a drawing of a word is a real word Montevideo: CRUX DESPERATIONIS 2012,
Montevideo: CRUX DESPERATIONIS, 2012
Montevideo: CRUX DESPERATIONIS, 2012
"Obviously, a drawing of a person is not a real person, but a drawing of a word is a real word", contribution by Michalis Pichler in
Montevideo: CRUX DESPERATIONIS, 2012
Statements zur Appropriation Bielefeld: transcript 2012
Statements zur Appropriation Bielefeld: transcript 2012
ed. Annette Gilbert
Statements zur Appropriation Bielefeld: transcript 2012
Bielefeld: transcript, 2012
Statements zur Appropriation Bielefeld: transcript 2012
Bielefeld: transcript, 2012

DIAL NOW IF IN VERSE Montevideo: CRUX DESPERATIONIS 2012
DIAL NOW IF IN VERSE Montevideo: CRUX DESPERATIONIS 2012
Montevideo: CRUX DESPERATIONIS, 2012

Untitled (Poem) Montevideo: CRUX DESPERATIONIS 2011
Untitled (Poem) Montevideo: CRUX DESPERATIONIS 2011
Montevideo: CRUX DESPERATIONIS, 2011
Untitled (Cowboy)” and “Untitled (Elgin Marbles) : Car Park Magazine 2011
Untitled (Cowboy)” and “Untitled (Elgin Marbles) : Car Park Magazine 2011
Untitled (Cowboy)” and “Untitled (Elgin Marbles) : Car Park Magazine 2011,
: Car Park Magazine, 2011
: Car Park Magazine, 2011
: Car Park Magazine, 2011
Pichler Michalis This is a portrait of Brad Downey if I say so / This is a portrait of Brad Downey if you say so Paris: Onestar Press 2011
Pichler Michalis This is a portrait of Brad Downey if I say so / This is a portrait of Brad Downey if you say so Paris: Onestar Press 2011
"This is a portrait of Brad Downey if I say so / This is a portrait of Brad Downey if you say so", contribution by Michalis Pichler in
The Vanity Project
Paris: Onestar Press, 2011
Paris: Onestar Press, 2011
Appropriation London: University of Southhampton and Tate Library 2011
Appropriation London: University of Southhampton and Tate Library 2011
Nostalgic Hentai
Berlin: Revolver Publishing, 2010
Berlin: Revolver Publishing, 2010
Statements on Appropriation / Statements zur Appropriation : Betonblumen 2010
Statements on Appropriation / Statements zur Appropriation : Betonblumen 2010
Statements on Appropriation / Statements zur Appropriation : Betonblumen 2010,
: Betonblumen, 2010
: Betonblumen, 2010
: Betonblumen, 2010
REAL OPPORTUNITIES Berlin: KW Institute for Contemporary Art 2010
REAL OPPORTUNITIES Berlin: KW Institute for Contemporary Art 2010
Miss Read
Berlin: KW Institute for Contemporary Art, 2010
Berlin: KW Institute for Contemporary Art, 2010
Statements on Appropriation / Statements zur Appropriation : Fillip 2010
Statements on Appropriation / Statements zur Appropriation : Fillip 2010
: Fillip, 2010
FAXED SONNET" and "SOME MORE SONNET(S), FAXED New York: The Drawing Center and Independent Curators International 2009
FAXED SONNET" and "SOME MORE SONNET(S), FAXED New York: The Drawing Center and Independent Curators International 2009

TWENTYSIX STATIONS Berlin: KW Institute for Contemporary Art 2009
TWENTYSIX STATIONS Berlin: KW Institute for Contemporary Art 2009
Miss Read
Berlin: KW Institute for Contemporary Art, 2009
Berlin: KW Institute for Contemporary Art, 2009

Pfau liebt Zapfsäule," "Frosch im Salat – Frau in Panik" and "Bissiger Pitbull-Besitzer : basso magazine 2008
Pfau liebt Zapfsäule," "Frosch im Salat – Frau in Panik" and "Bissiger Pitbull-Besitzer : basso magazine 2008
Pfau liebt Zapfsäule," "Frosch im Salat – Frau in Panik" and "Bissiger Pitbull-Besitzer : basso magazine 2008,
: basso magazine, 2008
: basso magazine, 2008
"Pfau liebt Zapfsäule," "Frosch im Salat – Frau in Panik" and "Bissiger Pitbull-Besitzer", contribution by Michalis Pichler in
: basso magazine, 2008

Untitled (Poem)," "The New York Times flag profile (index)," "NEW YORK POST flag profile (index)" and "Village Voice flag profile (index) : The Newpaper 2008
Untitled (Poem)," "The New York Times flag profile (index)," "NEW YORK POST flag profile (index)" and "Village Voice flag profile (index) : The Newpaper 2008
Untitled (Poem)," "The New York Times flag profile (index)," "NEW YORK POST flag profile (index)" and "Village Voice flag profile (index) : The Newpaper 2008,
: The Newpaper, 2008
: The Newpaper, 2008
"Untitled (Poem)," "The New York Times flag profile (index)," "NEW YORK POST flag profile (index)" and "Village Voice flag profile (index)", contribution by Michalis Pichler in
: The Newpaper, 2008
The girls of page 3 and 4” and “Dead Man Walking : The Newpaper 2007
The girls of page 3 and 4” and “Dead Man Walking : The Newpaper 2007
: The Newpaper, 2007
: Old News, 2007
: basso magazine, 2007
April 14 2003 (3:03am), basement #18, Pratt Institute, Brooklyn Athens: Agra Publishing 2006
April 14 2003 (3:03am), basement #18, Pratt Institute, Brooklyn Athens: Agra Publishing 2006
"April 14 2003 (3:03am), basement #18, Pratt Institute, Brooklyn", contribution by Michalis Pichler in
ΤΟ ΤΙ ΑΚΟΥΣΑ ΓΙΑ ΤΟ ΙΡΑΚ (What I heard about Irak)
Athens: Agra Publishing, 2006
Athens: Agra Publishing, 2006

