Essays

Biondo, Mendes, "L’EGO E SÉ STESSO – UN RAFFINATO DIALOGO TRA PICHLER E STIRNER," (2016), online at https://ramingoblog.com/2016/04/13/lego-e-se-stesso-un-raffinato-dialogo-tra-pichler-e-stirner/.
Malyszewski, Lynn , "Michalis Pichler The Ego and Its Own, caa.reviews," New York: College Art Association (2015), online at http://www.caareviews.org/reviews/2674.
Thirteen Years: The materialization of ideas from 2002 to 2015, ed. Annette Gilbert and Clemens Krümmel (New York: Printed Matter, Inc., Leipzig: Spector Books, 2015).
- "The Signature of the Author," Annette Gilbert
- "This Is the Reconnaissance. Ideology and duplication in the work of Michalis Pichler," Stefan Ripplinger
- "All The News That’s Fit to Print," Eleanor Vonne Brown
- "SCULPTURE LECTURE Reading Un coup de dés," Magnus Wieland
- "After Michalis Pichler after Edward Ruscha after Hokusai," Jean-Claude Moineau
- "Media Metamorphoses," Tobias Amslinger
- "How Beggarly Little is Left Us," Craig Dworkin
- "The Universal Library of Appropriation," Patrick Greaney
- "Representation of Prestige or Gallery of Cardboard Characters," Matthias Bleyl
- "The Past is Never Dead. It’s Not Even Past," Ariane Müller
- "PICTURE-PERFECT APPROPRIATIONS," Mark Gisbourne
- "Nono Yeahyeah," Michalis Pichler in conversation with John Stezaker
- "Statements on Appropiation," Michalis Pichler
- "Sentences on Conceptual Reading," Michalis Pichler
- "The Work of Art in the Age of Digital Reproduction," Michalis Pichler
- Name Index
Moineau, Jean-Claude, "AFTER MICHALIS PICHLER AFTER EDWARD RUSCHA AFTER HOKUSAI," in Sans niveau ni mètre #37. Journal du Cabinet du livre d’artiste, ed. Leszek Brogowski and Aurélie Noury (Rennes: Éditions Incertain Sens, 2015).
Wieland, Magnus, "Literarische Aneignungen / Kongeniale Kopisten," Zurich: Neue Züricher Zeitung (2015), online at http://www.nzz.ch/feuilleton/buecher/kongeniale-kopisten-1.18603586.
DeRidder, Widukind, "Wat hebben jullie ertegen wanneer ik jullie je zuivere kunst teruggeef?," in Michalis Pichler, De enige en zijn eigendom (Ghent: MER. Paper Kunsthalle, 2015), inside slipcover.
Dworkin, Craig, "Hur ohyggligt lite har icke blivit kvar för oss," in Michalis Pichler, Den ende och hans egendom (Stockholm: OEI Editör, 2015), inside slipcover.
Gilbert, Annette, "Reradikaliserade kritiska sammanfattningar," in Michalis Pichler, Den ende och hans egendom (Stockholm: OEI Editör, 2015), inside slipcover.
Greaney, Patrick, "The Universal Library of Appropriation," in Michalis Pichler, The Ego and Its Own (Brooklyn: Ugly Duckling Presse, 2015), backcover and inside slipcover.
Dworkin, Craig, "Zo armzalig weinig is ons overgebleven," in Michalis Pichler, De enige en zijn eigendom (Ghent: MER. Paper Kunsthalle, 2015), inside slipcover.
Gilbert, Annette, "Buchpiraten: Zu einer anderen Art des Büchermachens / Book Pirates: On a New Art of Making Books," in Reprint. Appropriation (&) Literature, ed. Annette Gilbert (Wiesbaden: luxbooks, 2014), 9–77.
Kostelanetz, Richard, "Review – Michalis Pichler’s Some More Sonnet(s)," Blog artzines.de, September 7, 2013, online at http://artzines.de/?p=3691.
Reboul, Stéphane, "Déclaration sur l’appropriation et autres axes de travail de Michalis Pichler," Marges: Remake, Reprise, Répétition 17 (2013), 126–128.
Reboul, Stéphane, "Typologie pragmatique de la reprise des livres d’artiste d’Ed Ruscha," Marges: Remake, Reprise, Répétition 17 (2013), 21–43.
Rubinstein, Raphael, "Ulises Carrión / April 5 2013," The Silo (2013), 36–42.
Taylor, Phil, "SECHSUNDZWANZIG AUTOBAHN FLAGGEN" and "TWENTYSIX GASOLINE STATIONS," in VARIOUS SMALL BOOKS: Referencing Various Small Books by Ed Ruscha, ed. Jeff Brouws, Wendy Burton and Hermann Zschiegner (Cambridge, Mass.: MIT Press, 2013), 122–123, 188–189.
Gramatzki, Susanne, "»Le plagiat est nécessaire«: Zur Ästhetik der Aneignung" Rezension von Annette Gilbert (Hg.), Wiederaufgelegt. Zur Appropriation von Texten und Büchern in Büchern. Bielefeld: Transcript, 2012. 422 S., Saarbrücken: KulturPoetik (2013), online at http://kulturpoetik.germanistik.uni-saarland.de/manageartikel.php?action=show&id=361&resume=rezensionen&language=en.
Gilbert, Annette, "Geliehene Sonette. Appropriationen des Sonetts im Conceptual Writing (Dmitrij Prigov, Ulises Carrión, Michalis Pichler)," in Sonett-Künste: Mediale Transformationen einer klassischen Gattung, ed. Erika Greber and Evi Zemanek (Dozwil: Edition Signathur, 2012), 455–489.
Kassner, Jens, "Alles ausradiert, außer ich," Jens Kassner. Ein Leipzig-Blog, March 29, 2012, online at http://www.jens-kassner.de/literatur/alles-ausradiert-auser-ich/.
Lupette, Leonce W., "Edition. Distribution. Programm. Appropriation und Verlage," in Wiederaufgelegt. Zur Appropriation von Texten und Büchern in Büchern, ed. Annette Gilbert (Bielefeld: transcript, 2012), 217–230.
Ramtke, Nora, "Ohne Begleitschutz – Texte auf der Schwelle. Überlegungen zu Textappro- priationen und Paratext," in Wiederaufgelegt. Zur Appropriation von Texten und Büchern in Büchern, ed. Annette Gilbert (Bielefeld: transcript, 2012), 103–119.
Velter, Johan, "max stirner michalis pichler," SFCDT, March 13, 2012, online at https://sfcdt.wordpress.com/2012/03/13/max-stirner-michalis-pichler/.
Velter, Johan, "wat rollen blijft," SFCDT, March 15, 2012, online at https://sfcdt.wordpress.com/2012/03/15/wat-rollen-blijft/.
Wieland, Magnus, "about blank: Appropriationen des Leerraums seit Mallarmé," in Wieder- aufgelegt. Zur Appropriation von Texten und Büchern in Büchern, ed. Annette Gilbert (Bielefeld: transcript, 2012), 193–216.
Boglione, Riccardo, "Riscrivendo l’illeggibile: quarto cancellature del Coup de Dés," (Genova: Ocra Press, 2011), 29-32.
Dejaco, Victoria, "Stéphane Mallarmés Raumkonzept in zeitgenössischen Positionen," (Diploma Thesis, Universität Wien, 2011).
Freeman, Brad, "Books Received," Journal of Artists’ Books 29 (2011).
Megla, Maja, "Prelistajme in obesi!," DELO NEWSPAPER, March 10, 2011, 15.
Sowden, Tom, "Follow-Ed (After Hokusai)," in Print Matters, ed. Linda Newington et al. (London: University of Southhampton and Tate Library, 2011), 36–41.
Žbontar, Zora, "1005 besed s Prušnikove 74," Radio Student FM89.3, March 16, 2011, online at http://old.radiostudent.si/article.php?sid=27046.
Amslinger, Tobias, "Nur Ich und nichts als Ich," Wespennest, Zeitschrift für brauchbare Texte und Bilder 161 (2011), 104.
Drucker, Johanna, "Artists’ Books and Conceptualism(s)," in MULTIPLE, LIMITED, UNIQUE: Selections from the permanent Collection of the Center for Book Arts, ed. Alexander Campos (New York: The Center for Book Arts, 2011), 17–25.
Breternitz, Juliane, "Der ewige Kreislauf," in It’s a Kind of Magic! Mystifizierung und Demystifizierung im Kontext der Künstlerpublikationen seit 1960, ed. Anne Thurmann-Jajes (Bremen: Studienzentrum für Künstlerpublikationen, 2010), 30–35.
Holm, Andrej, "Berlin: Kunst gegen Gentrification?," Gentrification Blog, June 29, 2010, online at https://gentrificationblog.wordpress.com/2010/06/29/berlin-kunst-gegen-gentrification/.
Knoblauch, Jochen, "Der Einzige und Seine Interpretation," Espero 65 (2010), 34–35, online at http://knobi-der-buechernomade.blog.de/2010/09/08/max-stirners-einzige-kunst-buch-projekt-michalis-pichler-9344857/.
Sowden, Tom, "Ruscha Rip-Off Rip-Out," Afterimage 37 (2010), 19–22.
Zboya, Eric, "Dimensional Translations: A Topological Journey Beyond the Two-Dimensional Space of the Page in Stéphane Mallarmé’s Un Coup de dés," (Honours Thesis, University of Calgary, 2010).
Bronson, AA, "Nine Books I Like," The Journal – Contemporary Culture 28 (2010), 176–179.
DeRidder, Widukind, "Besprechungen: Der Einzige und sein Eigentum," Das Argument 289 (2010), 922-923.
Cate-Gumpert, Sam, "The Anxiety of Influence," mono.blog by mono.kultur magazine, December 28, 2009, online at http://mono-blog.com/2009/12/the-anxiety-of-influence/.
Dworkin, Craig, "Wie bettelhaft wenig ist uns verblieben / How beggarly little is left us," in Michalis Pichler, Der Einzige und sein Eigentum (Berlin: ”greatest hits”, 2009), 457–460.
Dworkin, Craig, "Wie bettelhaft wenig ist uns verblieben, Epilogue," in Michalis Pichler, Der Einzige und sein Eigentum (Berlin: ”greatest hits”, 2009).
Gilbert, Annette, "Nachwort / Afterword," in Michalis Pichler, Der Einzige und sein Eigentum (Berlin: ”greatest hits”, 2009), 423–456.
Gorton, Savannah, "Front page sensationalism and patriotism for the sake of consumerism," The Newpaper 2 (2008), 27.
Karfas, Arthur, "Certain Things which lay within the class of what is frightening," in Art in the Biotech Era, ed. Melentie Pandilovski (Adelaide: Experimental Art Foundation, 2008), 52–58.
Pandilovski, Melentie, "Introduction," in Art in the Biotech Era (Adelaide: Experimental Art Foundation, 2008), 1-5.
Sérandour, Yann, "Serial Killers. Fortune et infortunes des livres d’Edward Ruscha," Nouvelle Revue d’Esthetique 2 (2008), 51–56.
Viera Muñoz, Zurisaday and Cañada Vila, Pere, "YOU ARE INVITED," in I like America. Does America Like Me?, ed. Zurisaday Viera Muñoz and Pere Cañada Vila (Olot: espai zero, 2008), 6-7.
Kock, Gerhard, "Kunst-Piraten überfallen Münster," Westfälische Nachrichten, ­September 19, 2007.
Robecchi, Michele, "New York Stories," The Newpaper 1 (2007), 2.
Jochheim, Bettina, "Kraftvolle Tiere und ein Haufen Müll," Kölner Stadt-Anzeiger, January 31, 2004, 45.
Styrie, Hanna, "Das wird ja immer schlimmer," Kölnische Rundschau, January 31, 2004.
Morcinek, Martin, "Kunst und Kunden - Zensur im New Yorker Goethe-Institut?," Amerikawoche, June 9, 2003, 11.
Ringendahl, Alexandra, "Der Metzger denkt an Austritt," Kölner Stadt-Anzeiger, February 1, 2002, 13.